We don't charge admission, but we do ask for donations to support BCP and the Film Club program.
- February 25 - No Movie (Jazz & Blues Festival at the Feria)
I was not able to procure a copy of Honeydripper, so we will be watching "Lost in Translation this coming Sunday.
Ratings: IMDB - 7.8, Roger Ebert - 4/4. Rotten Tomatoes - 95%
From a review by Reelviews.net:
Link to trailerSimply put, Sofia Coppola's Lost in Translation is an amazing motion picture. There may be some controversy over whether she truly wrote the screenplay on her own (there are sequences that argue that she at least had help from someone with a little more experience in life and marriage), but that doesn't impact the final analysis. This study into the unfathomable depths of human relationships has more honesty than 95% of the movies I have seen this year. Beautifully photographed with some amazing shots of nighttime Tokyo (and I thought Times Square was garish!), and a gorgeously composed scene of two characters reflected in a plate glass window as they hold a conversation, this movie has a look to match its acting and content.The film details the "accidental" relationship that develops between Bob (Bill Murray) and Charlotte (Scarlett Johansson). Bob, an internationally recognized actor on the downside of his career, is in Tokyo filming a series of ads for a whiskey company. Charlotte, a recent Yale graduate, is accompanying her photographer husband (Giovanni Ribisi) on a business trip. However, she spends most of the time alone. Bob and Charlotte's first few encounters are casual - on an elevator, in a bar. Gradually, however, they begin to seek out one another and a bond develops. The two eventually spend nearly every waking hour together, holding deep conversations and finding ways to avoid the eventual parting that both know must occur.
Lost in Translation is smart and perceptive about how people interact on a personal level. It portrays the disorientation of the two main characters flawlessly. They are two normal individuals who might not offer each other more than a smile under ordinary circumstances, but, put together in a place where they don't understand the language or customs and have no one else to turn to, their attachment is potent.
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David van Harn
Curator, Boquete Film Club
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